Nudes
Plus other Observations

About the Artist &
A Few Words About Drawing the Figure!


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About the Artist

Alfred D'Ortenzio is a graduate of Parsons School of Design, New York and Paris, France. His prior experience includes illustrations for Macy's Department Store, New York City and lots of Fashion Advertising illustrations for Warnaco. Mr. D'Ortenzio has received numerous awards. Included is the Connecticut Advertising Society First Prize and Best of Show awards for his illustrations. He is currently a beloved and admired Professor of Art at Woodbury University, Burbank California. He is also a Member of the prestigious Costume Designers Guild where he freelances with Television and Film Designers as an Illustrator. Mr. D'Ortenzio's work and efforts has longtime been admired by many professionals and former students. Mr. D'Ortenzio often conducts workshops at various locations and willing participants can contact Mr. D, as he so often referred, at Email Address, and you will be contacted. These wonderful Illustrations and Drawings is an ongoing effort on Mr. D's part in celebrating the human figure in the most artistic way. He hopes you will enjoy exploring these many views and aspect of natures grandest accomplishment, the Human Body.

Author of: Fashion Sketching: Drawing the Fashion Figure

Publisher: Delmar Publishing   ISBN 0-8273-7650-2   c.1998
Member of Costume Designers Guild - Costume Illustrator


Preface

    Drawing the human figure with any degree of competence is often a lengthy process, but competency enables an artist to draw virtually anything. Over the years, well-meaning authors and teachers developed many formulas and charts to aid students in their attempts to illustrate the human form. Of course, some of these devices are very helpful and at the beginning stages of learning. It is a good idea to get help wherever one can find it.

    After using several approaches, I find the "old way" to be the best. This produces the most gratifying results. It is simply a modified classical approach to drawing. Generally, this is a long process since it requires, freehand drawing. However, the rewards are greater. The artist is master of what he wishes to portray in whatever size, shape, figure gesture or view.

    No one book or class will teach all there is to know of this subject. It is the duty of every serious student of illustration, to search for every possible venue. As a student, I was taught to explore the techniques of the old masters as well as current artists and illustrators. I strongly recommend that students study books and materials covering all of the following areas: art history, current events, periodicals, human anatomy, basic drawing techniques: e.g. still life, sculpture, music, dance, theatre and culture. Also dictionaries (referene books) and your favorite artist's background and techniques.

    Until one reaches a competence level in their own work, one should spend time mastering one or two techniques of illustrating their work, with a freehand approach. Then, as time progresses, your illustrations will become tighter and better, with much improvement based on your learned observations. When learning about illustrating, the student must prepare themselves for many, many mistakes. The student must also understand that it's ok to make mistakes! This is how you will learn and benefit as an artist. I hope these examples of my work will be of great inspiration to all, and may it bring as much joy to you as it has myself. Thanks for your interest in my art.


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