DINING OUT AROUND CLEVELAND
by John Mariani

I
know that Cleveland does not leap to most
gourmets’ minds as a great
restaurant city, and for good reason. Neither
the locals nor visitors frequent downtown, so there’s little
impetus for restaurants to open in the city center.
The inhabitants leave at 5 PM and don't come back till 8 AM. The
section called The Flats showed stirrings of becoming a nightlife hub
in the 1980s but never really got going. Also, the
city’s restaurant scene is dismally covered by
the atrocious
food writing in the Cleveland Plain
Dealer. (Free sample: “Northeast
Ohio might lack enough four-star dining destinations, but there's no
shortage
of neighborhood bars that offer honest, no- nonsense fare that makes
you glad
to wear a blue collar—even if you bought it at Nordstrum.”)
Yet three visits in the last three years have shown
me that there are
all sorts of good restaurants, impressive wine lists, and
professional service
in the area--a word I use advisedly because so
many of the best new restaurants “in
Cleveland” are outside the city’s center and some 20 or more minutes’
drive
away in the suburbs. I
have in the past been very impressed with
longstanding restaurants like Giovanni’s
in Beechwood (one of the finest Italian restaurants in America), Barricelli Inn on Cornell Road, and
Three
Birds (18515 Detroit Ave.;
216-221-3500) in Lakewood, this last one of my Esquire
picks among the Best New Restaurants of 2003, of which I
wrote, “It would take more words than I
have space to list the reasons for the name Three Birds (think Bob
Marley), so
just ask them when you go to this terrific, ebullient American bistro
where it
would seem impossible not to have a good time, especially if you can
sit
outside in good weather.
It’s one of
those restaurants that bring vitality to a neighborhood (left), in this case Lakewood, with its big open kitchen, trussed ceiling,
expansive brick walls, zinc bar, and Midwestern sleek industrial cast. Chef John Kolar is not making culinary waves
here; he’s simply doing wonderfully flavorful food with a stress on a
minimal
number of ingredients on the plate. Thus, he does a goat’s
cheese-filled
beggar’s purse with mixed greens and plum wine sauce, and a spicy Thai
beef
salad with mint, cilantro and Asian vinaigrette. Pan-roasted walleye
pike is
sidled with corn ravioli, carrot puree and sorrel sauce, while a juicy
grilled
tenderloin of beef is accompanied by a sensationally good
garlic-and-potato
stuffed profiterole and dashed with cabernet sauce.
You eat here, you eat well.”
Some of the most interesting restaurants
in the area are located in the residential Tremont neighborhood, whose
biggest
hit is the very neighborly Fahrenheit
(2417 Professor
St.; 216-781-8858 ) and whose chef-owner, Rocco Whalen, I last
year pegged in Esquire
as one of the “Chefs to Keep Your Eye On.” Just
down the block is a new place called Theory (221 Professor St.; 216-621-2301),
which
specializes in steaks and chops, along with theoretical oddities like
grilled
shepherd’s cheese with watermelon and a strip
steak with carrot foam.
About 20 minute's drive out
to Valley View, Ohio, is where you’ll find one of the best new
restaurants in
the state. Upon entering Lockkeepers
(8001 Rockside Rd.; 216-674-0964), recently moved to new quarters, I was
happy to re-connect
with a chef I've long admired, Morgen Jacobson, whose work I last praised at his own restaurant, Quince, in
NYC. He’s always been a robust cook
with refined ideas, and his move to Cleveland (his wife grew up in Shaker Heights)
adds those virtues to the dining scene here.
Lockkeepers gets its name from its
situation at Lock 39 on the Erie
Canal, and the new premises (right)
look like a few
million dollars
was thrown around to very good effect, starting with an
extremely
handsome, fairly masculine-looking dining room of polished wood and
brown leather. Upstairs is a private
dining room and a smaller
Sommelier Room that seats 10 within the exceptionally
well-stocked
wine cache where you feast on six to eight-course meals. Mark-ups on
the winelist seem to range from less than 100% to 150% above
retail.
Jacobson is a chef of big
flavors,
starting with tea-smoked squab with
a morel and vegetable fregula
and delicate sage-scented
consommé as
an appetizer, along with an open-faced foie gras sandwich on
brioche
with a strawberry-rhubarb confiture
and pink pepper honey. I was
crazy about his lacquered breast of
juicy pork with sauerkraut, roasted
baby carrots and mustard sauce—a testament
to Midwestern bulk
and flavor—and there was nothing wrong with the grilled veal
chop
stuffed with fontina and pancetta with glazed “nubile” (?) carrots, a
crisp polenta cake and a sage sauce. For
dessert go with the classic
crème brûlée or the rich, creamy cheesecake with
fruit compote and
coulis.
Best of all is
the pineapple upside-down cake with vanilla ice
cream and luscious caramel
sauce.
Entrees at
Lockkeppers run from $20 up to a hefty $39, for a
12-ounce filet mignon with roasted marrow.
You need not go too far outside of downtown
to dine at Classics (9801 Carnegie Ave.;
216-707-4100) located in
the new
InterContinental Hotel, whose mundane façade hides a fine modern
hotel. The restaurant’s name tells a good
deal about
what to expect, but not all. For the staid
formality of the dining room (below,
left) is one thing, but the
cooking of chef Guillaume Brard is quite another. He's had long
training in classic French and
Swiss restaurants like Le Béarn in Geneva and the Connaught in
London, which means
his technique is as impressive as his ability to re-cast traditional
dishes
while adding his own contemporary touches to the menu.
With just under 100 seats Classics offers a very
attentive service under manager Marc Prijkerboer. The
wine list inherited many older bottlings from the previous management,
so you'll find an astonishing number of Bordeaux
and California labels from the 1970s, ‘80s, and ‘90s you won’t find
elsewhere
with any ease, most at very reasonable prices, and some with mark-ups
of
100% above
retail or less. The obverse is that
there is very little on this list under $50 and few younger
vintages. On the other hand, pricing the
wretched (but
popular) Santa Margherita pinot grigio for $48—which goes for $15-$17
at retail—is
the epitome of gouging.
Brard's cuisine is a fine example of how
French
technical
precision reminds one of just how wonderful classic French cooking
really is, like his
squab “Eprigramme” crusted
with parsley and stuffed with mushrooms and finished
with a thyme jus. He even redeems steak
Diane, which I haven’t seen in years on American menus, sautéed
tableside and
flamed with a Cognac-demi-glace. When he
edges away from the classics Brard shows himself in full command with a
dish
like his perfect turbot “Vadouvan” roasted with Indian spices, served
with snow
peas and a crab cappuccino on the side. An
appetizer crab cake with lobster and shrimp in an
almond crust with a
crisp salad and lobster vinaigrette was also excellent.
Desserts, from patissier Anton Yeranossian,
come off
superbly here, from a flaky raspberry feuillantine
with mascarpone ice
cream
to a
chocolate fondant with orange marmalade. I’m
afraid his rendering of Baked Alaska will not bring
back the luster
of this old dessert, which probably can’t be improved upon because it
wasn’t
such a good idea in the first place when it was created back in the 19th
century.
Entrees run $27-$42, which puts Classics well into
the
ranks of the more expensive restaurants in America.
~~~~~~~~~~~~~~~~~~~~
NEW YORK CORNER
by John Mariani
CAPITALE
130
Bowery
212-334-5500
www.capitale.com

The
question as to whether a chef ever needs to be
in his restaurant to oversee the sous-chef and the rest of the kitchen
crew is not something that ever seems to bothers those entrepreneurial
chefs who
insist they can vacate their kitchens any time and for as long as they
wish because their crew
is so well trained. Which is, of course, arrant nonsense.
For while I have had some good meals in restaurants whose chefs
are off cutting the ribbons on their new eateries in Las Vegas or
Atlanta,
in most cases their kitchens back home have not performed at the top of form,
and
even the most well-trained sous-chef just hasn't the chops of the chef
de
cuisine. Of course, every great chef was once a sous-chef,
but that doesn't mean all have the managerial skills to run a
restaurant kitchen. Witness the number of sous-chefs who go off on
their own and turn out mediocre results.
This became clear to me last evening not because a
chef was absent but because he had in fact left the employ of a
restaurant I'd named one of the Best New Restaurants of the Year for Esquire--Capitale, which is located
in a spectacular Stanford White-designed landmark bank building on the
Bowery that opened in 1894 and was long vacant and in deteriorating
condition before owner Seth Greenburg poured millions into the
restoration of its 60-foot ceilings, Tiffany glass
skylight, and superb tilework. Its banquet rooms are stunning and
have been getting a lot of big media parties.
When I praised Capitale as a Best New Restaurant, however, it was on
the basis of the food prepared by chef Franklin Becker, who had a very
fine touch and subtle ideas that seemed paragons of 21st American taste
and New York sophistication. For whatever reasons, Becker and
Greenburg parted company some weeks ago, so I thought it a good idea to
return to Capitale to see if the sous-chef, Fred Brightman, now raised
to the position of executive chef, could maintain the brightness of
Becker's legacy. Sadly I must report this does not seem to be the
case. With the exception of an excellent, perfectly cooked Niman
Ranch pork chop--a product so good one can only ruin it by
overcooking--with a white bean cassoulet, braised cabbage and applejack
reduction, nothing reminded me of the consistent refinement of Becker's
cooking.
Not even a
terrine of Hudson Valley foie gras with Asian pear, lychee and lily
bulbs had much to recommend it, especially since it came to the table
in very cold, refrigerated condition. Risotto is something that
takes careful cooking and time to make right, so it was hardly
surprising that a plate of crab risotto with peas, mint, and a sprig of
pea shoots that came out of the kitchen only minutes after being
ordered was little more than bland rice mush with a few peas hiding
beneath it.
That pork chop
was certainly first rate, but pistachio-dusted fluke pavé with
chanterelles, spinach, tomato hearts and a ginger-kaffir lime sauce was
far less than the sum of its many parts would indicate. It just had
very little flavor despite all the commotion on the fish. For
dessert there was a good apple tart with spiced mascarpone, but a
selection of ice creams came out so firm that I might as well have been
digging them out of a carton from the supermarket. When ice
creams are now so easy for kitchens to make and keep at the
proper texture, these were indicative of a kitchen
inattentive to details.
Capitale's wine list is exceedingly deep and broad, though top heavy
with expensive bottles. Mark-ups do not seem unreasonable.
As for
the current ambiance, entering Capitale has an undeniably dramatic
effect. But the lighting, which was dim and gray when I visited
this summer, has become even dimmer and flatter, obscuring the
architectural grandeur as well as the food on the plate. (Don't be
fooled by the brightness in the photo of the dining room above.)
Then, at 9:45 they turn the lights even lower and pump up a mix of
hideous pop music that makes conversation nearly impossible among a
crowd that clearly does not dress for the occasion. Blue jeans
rule. Stanford White must be turning over in his white tie and tails.
I'm sorry to
see that Capitale has not evolved, and perhaps that is largely due to
Becker's leaving the kitchen. But it seems to me the whole place
is now geared more to the vibes than to the victuals, and so I can no
longer recommend Capitale as a Best New Restaurant of 2003.
Appetizers run $9-$18, entrees $18-$37.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
No,
Mamma Mia, Please, Not
the Hot Bricks!

“Coat
the chicken on both sides with olive
oil. Put the
chicken in the skillet in one layer,
and place the bricks on
top. Reduce the heat to
medium and cook
the chicken for ten
minutes. Remove the
bricks, turn the children over,
and
replace the bricks.”
—Instructions for “Pollo al Mattone” in
The Maccioni Family Cookbook
by Egi
Maccioni and Peter Kaminsky
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
YOU
WANT COKE WITH THOSE BISCUITS?
Carlos
Ayala was
arrested
after
handing
two bags
of
marijuana to
customers
who’d
come
for their usual
chicken
and
biscuits at the KFC
restaurant
where
he worked in
Mill Valley, CA.
Police
believe Ayala
used the
code words “extra
biscuits” as a cover.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
QUICK
BYTES
* From Nov.15-17 The Morikami Museum in Palm Beach, FL, will host the 2nd Annual 101
Zinfandels festival, with examples from 50 wineries and food from
30 Florida restaurants. Call 561-495-0233.
* On Nov. 20 NYC’s Four
Seasons
Restaurant will hold a dinner featuring “The Wines of Long Island,”
hosted
by David Rosengarten. $175 pp. Call
212-754-9494.
*
On Nov. 21-23 The Williamsburg Inn in Williamsburg, VA, concludes its “Art of Entertaining” series
with
“Holiday Cooking Is for the Birds” weekend, with chef Hans Schadler
demonstrating
the cooking and presentation of fowl. Full package $1,450 per couple. Call 800-361-5261.
*
Throughout Nov.
& Dec. L.A.’s L’Orangerie (310-652-9770;
www.orangerie.com)
celebrates the
holidays with Dinner for Two, a 5-course menu with a bottle of ’95
Perrier-Jouët Belle Epoque Fleur de Champagne.
$200 pp. . . . Also, on Nov. 18 the restaurant holds
a 5-course dinner
featuring the wines of Niebaum-Coppola winery. $200 pp.
* On Dec. 7 a black tie
9-course
dinner showcasing truffles will be
served at The Left Bank in Duck, NC, to Benefit the American
Cancer. Chef George Robinson will
be joined by Mid-Atlantic chefs Ris
Lacoste of 1789 Restaurant in
Washington, DC; Sam McGann of The Blue Point in Duck, NC, and Ben
Barker and
Karen Barker of Magnolia Grill in Durham, NC. $250 pp. Call
252-261-8419 or
visit www.thesanderling.com
*
On Nov. 13 at New Orleans’ Cobalt chef
Brack May and the Crescent
City Farmers Market and Abita Beer
pay homage to the indigenous, wild foods and local beverages of
Louisiana with
a 4-course meal featuring the preparation of wild, foraged foods. $65 pp, with a portion of the proceeds to the
Crescent City Farmers Market. Call 504-565-5595.
* On
Nov. 16, Arrows in Ogonquit, Maine, co-chefs Clark Frasier and
Mark Gaier
celebrate the publication of The Arrows
Cookbook with a
champagne reception and 6-course dinner with
wines. $125 pp. Call 207-361-1100.
* On Nov.
17 Boston’s Via Matta
Chef Luis
Morales will serve a 6-course dinner paired with Bressan wines of Italy, with
Fulvio Bressan . $100
pp. Call
617-422-0008.
*
On Nov. 17,
2003, The White Truffle Celebration at
NYC’s San Domenico will hold
an auction to benefit the GRI-Giacomo
Bologna
Scholarship Fund. White truffle hunter Sandrino Romanelli, will be on
hand to
help us auction his best “finds” of this uneven White Truffle Season.
The
world-renowned jewelry designer Chantecler of Capri
- Milano will co-sponsor the event by auctioning off a priceless
diamond
studded Capri-Bell. A 5-course White Truffle Dinner will be prepared by
Chef
Odette Fada with Italian wines selected by sommelier Piero Trotta. $2000 pp. Call
212-265-5959.
*
On Nov. 21 Nana’s Chef
David McMillan in Dallas features a 6-course white truffle at $125 pp, $175 with wines. Call
214.761.7470.
*
From Nov. 21-23 The Williamsburg Inn in Williamsburg, VA, concludes its “Art of Entertaining” series
with
“Holiday Cooking Is for the Birds” weekend, with chef Hans Schadler
demonstrating the cooking and presentation of fowl. Full package $1,450
per
couple. Call 1-800-361-5261.
* During
Thanksgiving weekend the Inn at Perry Cabin in
St. Michael’s,
MD, features a special 3-night package with
Thanksgiving dinner, breakfasts, and tea each
day. $1,141
(Signature Room), $1,336 (State Room) and $1,666 (Master Suite). Call
800-722-2949
or www.perrycabin.com