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EDITOR'S NOTE: This newsletter is
also available on the very
comprehensive food site www.sautewednesday.com Cover Story: A Tale of Two Ritzes by John Mariani New York Corner: Bruno Jamais Restaurant and Club by John Mariani Quick Bytes ~~~~~~~~~~~~~ A TALE OF TWO RITZES by John Mariani
More than any other
person, César Ritz (1850-1918), a Swiss peasant
whose
name became synonymous with grand
luxe, can be said to have been responsible
for the modern hotel, which is to say any above the level of a wayside
inn or tavern. Nineteenth century travelers seemed to do nothing
but complain about their dreary, ill-equipped lodgings, whether it was
Mark Twain noting of his trip to Italy, "At every hotel we stop
at we always have to send out for soap. . . and they put it on the bill
along with candles and other nonsense"; to Anthony Trollope, who
insisted, "It is because we put up with bad things that hotel-keepers
continue to give them to us."
NEW
YORK CORNER
Ritz (below), who got fired
from his first hotel job for "not having a trace of flair" and from
several jobs after that, finally clicked as a waiter in Paris,
eventually taking over as manager of London's Savoy, where he coined
the phrase, "The customer is always right." Together with the
great chef Escoffier, he opened the first hotel under his own name in
1898--The Ritz in Paris, where he created the king-size bathtub and
king-size bed, along with closets that lit up when opened. He
followed this grand success with the Carlton in London, then the Ritz
Hotel in Piccadilly. There were to be Ritz hotels in Madrid, and, after
the name was franchised, under the name Ritz-Carlton, in New York
and Boston, this last being built by an American millionaire named
Edward Wyner, who acquired rights to the Ritz name and opened the hotel
in 1927. (I won't get into the relationships of every Ritz and
Ritz-Carlton hotel in the world now; suffice it to say that the
Ritz-Carlton company runs more than 40 hotels and resorts around the
world, but the Paris, Madrid, London and Chicago Ritzes are not under
the corporate
aegis.)Recent trips to both the London Ritz and Boston R-C have only increased my admiration for these two glorious hotels, both intensively renovated in the last few years without losing the style that makes them unique. The Ritz in London (150 Piccadilly; 7493-2687; www.theritzhotel.co.uk ), opened in 1906, was the first of that city's structures to be built of reinforced steel and concrete, but its Parisian antecedents and its Edwardian flair are evident in every detail, and every one of those details is in impeccable condition right now, none more so than the restaurant, which I think is the most beautiful in London (q.v.: the Ritz website provides a 360-degree tour of the room). It's even lovelier
at lunch when the soft London light pours through the windows on the
pink-and-gold salon of crystal, marble, and trompe l'oeuil, and the
white tie-and-tails service (which Ritz himself introduced) is still
part of the ritual of dining here (so dress accordingly or be
bounced). You might well have had tea in the adjacent Pal Court
along
with the swells in the afternoon or a cocktail in the stunning Rivoli
Bar before dinner, but it
is in the restaurant (right)
that you dine well, now under Chef Dominique Blais, who's had wide
experience in Europe, Asia, and the Middle East, as well as an early
sting at Boston's R-C. Prior to coming to the Ritz, he was chef
at the Carlton Tower in London. As chef at a place as traditional
as The Ritz, Blais would be less than
reasonable if he did not maintain the room's French and continental
menu, including classics like potage
Parmentier with black truffles,
lobster à l'Americaine,
and filet of sole Normande. There are
more modern dishes though, including sautéed duck foie
gras on an
apple and lavender tarte Tatin with
apple emulsion and herb salad, and seared
tuna with a scallop mouse and caviar. There are also a couple of pasta
dishes, like risotto with morels, grilled baby squid and olive oil, and
a papillote of fettuccine
with lobster, scallops and tarragon-scented
sauce. For seafood by all means have the light, luscious roast halibut
with chestnuts, onions and Parma ham with a velouté of white
beans, or
the more substantial fillet of wild sea bass in a potato crust with
grilled Mediterranean vegetables. If you opt for meat, the Angus
beef with crushed potatoes, black olives and a purple mustard jus will
certainly satisfy. And if you thrill to tableside service, have
the steak Diane for two, flames and all. Then end off with a lovely,
light dessert
soufflé and a bottle of Sauternes from a extremely fine wine
list. Cognac back at the Rivoli Bar, then sleep till noon in your
suite, having spent your weak, weak American dollar to best advantage
at a place you'll always remember. Appetizers range from £11-£28 ($19.50-$50), entrees £23-£36 ($41-$64). There are "special dietary dishes" lower in the usual things that make food taste good. Fixed price menus available. One of
the first food articles I ever wrote for Esquire was about grand hotel
dining rooms, of which Boston's Ritz-Carlton (15 Arlington Street; 617-536-5700;
www.ritzcarlton.com ) was on the first page. I remember
the photograph of this sunlit dining room in all its cream-and-cobalt
blue colors (a Ritz signature), its windows overlooking the Boston
Gardens on a spring day, and I thought few places could be more
wonderful in New England than a table there. After a thorough $60
million renovation of the hotel that has brought back the luster of the
room and the installation of Chef Tony Esnault in the kitchen, the R-C
Dining Room is better than it's been in ages, without compromising the
lineage of French cuisine. (There is, incidentally, a very modern
R-C at the other end of the Boston Commons that just opened two years
ago.) As when I wrote that first article more than twenty years
ago, the Czech cobalt blue glassware still sits on fine linens and the
chandeliers still sparkle. As at the London Ritz, this is a prettier
room during the day than at night; in fact, I find the current lighting
a
bit flat when the sun goes down. Maître d’ Gerald Small does
everything possible to keep the Ritz name a totem of hospitality.
A souvenir menu from 1933 shows that a three-course dinner cost three dollars, and another from 1936 shows filet mignon at $1.75, a veal chop 85 cents, broiled Boston scrod 85 cents, lamb chops with orange fritters and candied sweet potatoes one dollar, and Boston cream pie for 30 cents. By 1951 prices had leapt up to $3.75 for filet mignon, duck with dressing, squash and potatoes to $2, roast prime rib to $2.75, and profiteroles with ice cream and chocolate sauce at 65 cents. Today you'll pay $35 for roast breast of duck with turnips and huckleberry sauce, $40 for rack of lamb with baby artichokes, Romaine, wild mushrooms and pearl onions, $39 for a tenderloin of beef with potato and red cabbage, and $12 for profiteroles with ice cream and chocolate sauce. (Keep in mind you could also buy a Chevrolet back in 1951 for a thousand bucks. ) The 2004 Ritz 4-course fixed price dinner is $72, a grand tasting menu $95, with wines $145. Chef Esnault grew up in Lyon, apprenticed at Le Toit de Passy in Paris and worked at star establishments throughout France, including Auberge de L'Ill in Illhausern and Louis XV in Monte Carlo, where he perfected his talent for French-Mediterranean cuisine. His sense of seasoning is extremely refined, so that he can take traditional ideas and give them both a personal touch and a great deal more flavor than might expect from a chef dulled by rote. Butternut squash risotto had a wintry sweetness, accompanied by a fruit mostarda and fresh sage that evoked Our second courses involved searing Roasted A glass of ’96 Château Rieussec Sauternes ended a splendid serving of desserts that included a roasted Granny Smith apple with walnut macaroon and a fabulous spiced cider sorbet. Since I can never resist well-made profiteroles with hot chocolate sauce, I ordered them and enjoyed every fork and spoonful, while a very fancy The Ritz’s 12,000 bottle wine cellar is magnificent in just about every category, with 450 red wines and 400 whites, 55 Champagnes, and 27 vintage Ports. It is especially strong in big name French reds, by John Mariani BRUNO JAMAIS RESTAURANT CLUB 24 East 85th Street 212-396-3444
Bruno Jamais
is certainly a man with the credentials to throw a good party, having
been the hospitable host at Lucas Carton in Paris and at both Daniel
and Alain Ducasse in NYC. So, apparently believing that the
economy really is turning
around, he last year opened a swank supper club, a nostalgic term
dating back to the Roaring Twenties connoting a bar several cuts above
a saloon and a restaurant with food many cuts above the hard boiled
eggs and pickles otherwise offered in speakeasies. In fact, Bruno's began as a club for swells willing to fork over $7,000 for a membership fee they could then nosh off over time. This was Bruno Jamais's original dream for the superb brownstone townhouse setting into which he put his namesake restaurant, designed by Tony Chi and evocative of the kind of place James Bond or Austin Powers might drop in for a martini or two before a supper of caviar and Dover sole, with Tom Jones music in the background. Well, the exclusive club idea didn't fly quite so high as Jamais had envisioned (and early on he made it distressingly clear that he wanted only a certain kind of clientele), so he's now opened up his restaurant to anyone willing to pay à la carte, and the place is reportedly prime for occasional sightings of Bill Clinton, Keanu Reeves, and Kim Catrall, among other celebs. Nowadays Jamais keeps his well-heeled members happy with a "Preferred Guest Card," about which the rest of us need know nothing further. But to draw us all in, he's hired a good, young Paris-born, New York-bred chef named Andrew Karasz, 33, whose résumé includes stints at Postrio in San Francisco, Auberge du Soleil in Napa, and Union Pacific, Eleven Madison Park, and Nicole's in NYC. The ambience is indeed true luxe, with a shadowy, shimmering very dramatic entrance hall lined with wine racks (above) which leads to a terrific-looking lounge (below)--the word "soigné" suddenly leaps to mind--adjacent to two dining areas with well-set tables and good wineglasses. The only lapses of impeccable taste are the clunky menus printed in a typography better suited for a bar & grill in Chelsea. Service is civilized and courteous without pretense, and Jamais seems to know everybody in the room, most of whom dress up for the evening out, and so should you! It's a good place to show the Kate Spades. ![]() The menu is a collection of traditional French and continental items along with several more contemporary dishes. There is the requisite tuna tartare and a beets-and-goat's cheese salad, along with a French lentil soup and lobster salad with grapefruit and fennel. The terrine of foie gras, with apples and Calvados, is excellent, but best of the appetizers is the roasted sweetbreads with pancetta ham and a wild mushroom ragoût whose flavors meld perfectly with the creamy rich liver. I ordered a risotto with crabmeat, oven-dried tomato and roasted lemon just to see if Karasz could actually pull it off, and I was delighted with the results--the risotto was perfectly cooked, the crabmeat jumbo lump and nice and sweet, and the tomato and roasted lemon balanced the dish with a subtle tanginess. Never able to resist Dover sole à la meuniére, I was well rewarded with a nice fat specimen whose meat came easily off the bone, its flesh buttery and lightly crisped. There is also a good, tender veal chop with lovely chestnut-riddled spätzle and butternut squash, grilled snapper with braised baby fennel, and several "classiques" like skate Grenoblois, Scottish salmon with Béarnaise, and a côte du boeuf for two with potato gratin. When I visited the desserts were strictly ho-hum, though I'm told they will soon be brought in from NYC's finest pâtisserie, Payard, which is good news indeed--except that a first-class restaurant should have its own first-class pastry chef and do at least some of the desserts to order. Bruno's wine list is exceptionally strong in all the big French labels in Bordeaux and Burgundy, with plenty of quite rare bottlings, and you won't find too many bargains here. The Champagne selection is appropriately geared to the celebratory nature of the restaurant. Appetizers run $12-$26, entrees $28-$42. BUT
THAT’S WHY GOD GAVE THE
REST OF
BREATHLESS PROSE:
VEGETARIAN CATEGORY/
~~~~~~~~~~~~~~~~~~ QUICK
BYTES
* Miami’s Café
Sambal in the Mandarin Oriental is holding its 2004 Family Dinner
Series, from now until June on the last Sun. of each month: Malaysian,
Jan.
25; Cantonese, Feb. 29; Szechwan, March
28; Filipino, Apr. 25; Japanese, May 30;
Korean, June 27, by serving
family-style
in large bowls and platters meant for
passing around. $40 per adult and $24
per child (ages 5-12). Complimentary valet parking.
Call 305-913-8251.
* From Feb 2-5 Owner/Chef, Raymond Ost of
Sandrine’s in Cambridge, MA, will host Emile Jung, French
Master Chef
and 3-Star Michelin chef from Strasbourg, France, who will cooking at Sandrine’s for a 4-course dinner
.65.00
without wine, $95.00 with wine. Call 617-497-5300. *
From now until March 1 NYC’s
Alfama is offering a $15-discount on
wines priced between $70 and $98 and a $25-discount on wines prices at
$100 or
higher. Call 212-645-2500.
BOSTON: Upstairs on
the Square in Cambridge,
MA (www.upstairsonthesquare.com
) offers à la carte lunch and brunch menu
as well dinner Fri. Sat. & Sun. with special dishes
and specially priced champagne by the glass. $110 pp. LOS ANGELES: The Polo Lounge at the Beverly Hills Hotel will offer dinner at $200 per couple. Call 310- 276-2251
NYC: Oceana (212-759-5941; www.oceanarestaurant.com
)offers a
6-course dinner at $125 pp, $225 with wines. . . . Molyvos
(212-582-7500; www.molyvos.com
) offers 3 courses at $48 pp. (also offered à la carte). . . . @SQC features
an " Xtreme Chocolate "
Valentine
Menu, featuring dishes such as: chocolate BBQ spareribs, rabbit
pastilla spiced
with chocolate & foie gras, pan seared chicken with mole, roasted
butternut squash & smoked cheddar fondue, among others by Chef
Scott Campbell, along with a complimentary copy of Chocolatier Magazine, Martine's
Chocolates, and a copy of Luciano Pavarotti's "Ti Adoro." Call
212-579-0100; www.sqnyc.com . . . .
MARIANI'S VIRTUAL
GOURMET NEWSLETTER is
published weekly. Editor/Publisher: John
Mariani.
Contributing Writers: Robert Mariani. Naomi
Kooker, Kirsten Skogerson, Edward Brivio,
Robert Mariani, Mort Hochstein. Contributing Photographers: Galina
Stepanoff-Dargery,
Bobby Pirillo. Technical Advisor: Gerry
McLoughlin. copyright John Mariani 2003 |