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MARIANI’S
Virtual Gourmet
March 15,
2004
NEWSLETTER
"Cockles
and mussels, alive-alive-oh!" Statue of Molly Malone, Dublin
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EDITOR'S NOTE: This newsletter is
also available on the very
comprehensive food site www.sautewednesday.com
which has dozens of other links to food articles
from
around the world, as well as at The Grumpy Gourmet at
http://www.grumpygourmetusa.com/links.html
-Readers
trying to
reach me through e-mail cannot do so by hitting REPLY to this
newsletter.
Instead, write to me directly at johnmariani@prodigy.net
.
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Cover Story:
Dining in Dublin by
John Mariani
New York
Corner: WD-50
Revisited by John Mariani
Quick
Bytes
~~~~~~~~~~~~~~~~~
DINING
IN DUBLIN by John Mariani
The River
Liffey, Dublin
With St. Patrick's Day coming up
this week, a look
at Dublin's ebullient dining scene seems in order, beginning with an
expression of my giddy affection for this, one of Europe's best walking
cities, whose modest size makes a good stretch of the legs into a
comprehensive tour of an entire neighborhood in an hour or two, with
wonderful restaurants in every section, from St. Stephen's Green to
Temple Bar.
As Ireland’s economy has boomed over the last decade,
so have Dubliners' interest in food. Where once I might have had
to stretch to fill a column with recommendable
restaurants, I now haven’t the space to list them all, and while it is
inaccurate to say there is such a thing as “New Irish Cuisine,” there
has been a happy marriage of traditional Irish cookery with French
classicism, all based on a wide array of extraordinary ingredients from
the sea and farms. If, however, you wish to taste the true
examples of traditional Irish cookery, you cannot do better than Roly’s Bistro (7
Ballsbridge Terrace; 668-2611), a two-story wayside stop on the city’s
outskirts with a good complement of antique furniture and artwork, a
pub
downstairs and delightful dining room upstairs serviced by waitresses
in
starched white shirts and black aprons. The place is always packed with
locals
and those travelers who know to call ahead, and the Irish cookery is
based on
the best ingredients--wild Irish salmon, fat
Dublin Bay prawns, wonderful lamb, and seasonal fruits. They serve moist brown bread spread with
lustrous yellow butter, and a plate of lamb stew will tide you over for
a day
or more. Desserts brim with fresh, rich Irish cream, and there is a
good wine list
and a fine array of farmstead cheeses.
For
something in between Roly's and haute cuisine, there is the charming
bistro L'Ecrivain
(left; 109A Baggot Street; 661-1919), where chef-owner Derry
Clarke
takes an old Irish idea like black pudding, pan fries it and serves it
with a
ginger-orange sorbet and Port sauce so that it tastes as lush as foie
gras; he treats seared Bere Island scallops to a licorice-lick of
Pernod
cream and pimento relish, and he spices breast of Ailsbury duck with
star
anise. Dinner, without wine, should run about $60.
If credit
can be given to one man who bravely
attempted a sea change in Dublin
dining, it is surely Patrick Guilbaud, a Frenchman whose namesake
restaurant
flourished for fifteen years tucked in a modest townhouse down an
alleyway. Then, four years ago, his reputation secured by a
Michelin star,
he moved into the premises of the new Merrion Hotel (Upper
Merrion
Street; 800-223-6800; 353-1603-0600;
www.merrionhotel.com),
which is not only the finest in Dublin but also one of the finest in
Europe.
Composed of a series of 18th century Georgian townhouses (one of which was home and
nursery to
the Duke of Wellington) just up
from
the
Government Building and National Gallery, this absolutely splendid
renovation of the
original
rococo plasterwork and evocation of 19th century taste and affluence
has a bright, welcoming foyer (right)
125
rooms, 20 suites, huge bathrooms, fireplaces, a fitness spa and lap
pool, a
beautiful garden courtyard, and every up-to-the-minute amenity for the
business traveler. Fabrics have been copied from Georgian
originals, lamps
are based on 18th century Delft designs, the artwork throughout is of
the first
quality, and the drawing rooms are as sumptuously splendid--probably
moreso--as
when they were first designed. All of this is overseen with an
endearing
dedication to detail by manager Peter MacCann. Room rates begin at $390.
Patrick
Guilbaud (left;
353-1676-4192) is located
just off the Merrion's lobby,
prefaced by a very sophisticated lounge leading a few steps down to a
large, modern, off-white dining room with rounded and square archways
and a view of the garden. The walls are hung with Irish abstract
art, the tables widely separated, the appointments superb.
Guilbaud himself used to be the chef at his restaurant, but now he is
more likely to be found greeting guests in the front of the house,
while chef Guillaume Lebrun does
the cooking, which recently garnered its second Michelin star. The food is very much modern French, of a
style you would certainly
find in Paris, but the ingredients are resolutely Irish--roast West Cork scallops with a crispy confit
of chicken wings in a caramelized cauliflower cream, with grapefruit
and cinnamon; tiny velvet crabs flavored with piquillo peppers,
coriander and a lemon confit; wild sea bass cooked à la plancha with
endive and chorizo; roasted turbot glazed with sea salt butter and a feuillantine of duck confit
flavored with walnut wine, spinach and girolle mushrooms; Coonemara
lobster baked in salt and seaweed, served with a marmalade of cèpes and a lobster coral
sauce, its claws tossed with pasta in a tarragon velouté; a tourte of
farmyard chicken in a truffled Port sauce with foie gras and cèpes and sherry jus; and roe deer with a Seville
orange and whiskey marmalade in a juniper-red wine syrup with cocoa
sauce. Spring lamb from
Wicklow is served with honied
roast apricots and dried nuts. One of the signature dishes here is
roast
Challans duck with honey, lemon, aniseed and soya sauce--a masterpiece
of
textures and aromatic flavors. Even an
old Irish comfort food like crubeens--pig’s trotter--is ennobled here,
stuffed
with a wild mushroom and bread pudding, served in its own juices
scented
with rosemary, accompanied by warm
potato salad and pickled baby vegetables. Such
sophisticated cuisine risks an extremely high degree of error, yet,
aside from a
little
saltiness in some dishes, LeBrun brings them off flawlessy, their
textures
perfect, the combination of sweet and sour flavors balanced, and their
presentation
just pretty enough without being pretentious.
There is a good selection of Irish farmhouse
cheese, and if you love
chocolate, the assiette of
five cold and hot chocolate desserts in a Banyuls
sauce should sate you for days to come. Otherwise go with a hot
soufflé.
The wine list here is of astounding depth-especially in Burgundies and Rhône
bottlings, certainly one of the best in Ireland or anywhere on the Continent.
Starters run about $27-$50, main courses
$56-$117 (this last for lobster, when available); there's a tasting
menu at
$160.
The Merrion also has a newly renovated
restaurant next to its popular
Cellar Bar where chef Ed Cooney serves
traditional but updated Irish and continental fare, including a very
good pressed ham hock terrine with a honey-grain mustard dressing,
roast monkfish with creamed potatoes, olive oil and watercress, a
braised shank of lamb with tarragon sauce, fish and chips (left) and roast turkey with
potatoes, stuffing, sausage and Brussels sprouts, finishing off with
wine-poached pears with cassis sorbet and baked Alaska. Prices
here range from about $20-$34 for main courses.
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Patrick
Guilbaud's closest competitor in Dublin is Thornton's (128 St. Stephen's Green; 478-7008; www.thorntonsrestaurant.com), also
recently re-located to a hotel, the Fitzwilliam and given a
minimalist atmosphere spread throughout two dining rooms (left) by owners Kevin and Muriel
Thornton. The cooking here is very refined, without grand
flourishes, and as a result the flavors are exquisitely concentrated in
dishes like a fillet of John Dory with beet purée and a little
lime
oil; braised pigs' head with shallot purée and thyme sauce; red
mullet with oyster, baby prawn and a braised onion and pea sauce;
braised pheasant with cèpes,
roasted turnips and truffle sauce; and Barbary duckling with red
cabbage, artichoke and cranberry sauce. Desserts are equally as
concentrated, as in a tangy-sweet parfait of pineapple with roast
pineapple and sorbet, and an apple tartlet with thyme and nettle sorbet
with gin sauce. The wine list here is formidable.
Thornton's service is genteel, but frankly, the
English skills of much of the French staff need some remedial
work.
Lunch may be enjoyed for $48 for
two courses or $60; at dinner main courses are about $56, with a
tasting menu of 8 courses at $155.
Yet another
hotel dining room is among Dublin's best: The Tea
Room (6-8
Wellington Quay;
407-0813; www.theclarence.ie/tea_room.asp) at The Clarence is an oddly prissy name
for a dining room (below)
whose owner includes Irish rock group superstar Bono of U-2,
and whose clientele includes just about any show biz celeb who passes
through town. The dining
room (below) is
strikingly handsome room, with a 20-foot cathedral ceiling, beautifully
finished Arts & Craft style furniture, and an altar-like elevated
bar. The menu is elegantly simple, with hearty dishes like
deep fried potato-and-bacon tart with well-buttered Savoy cabbage and tangy fresh caper sauce. Black
pudding
and Cashel blue cheese accompanies gratinéed Rossmore oysters,
and black pudding, and the
marvelous corn-fed chicken with tarragon-perfumed scented crushed
potatoes and crayfish ravioli. Lunch ranges from $32-$37; dinner,
$51-$65.
As for pubs, I am not the person
to ask. For as much as I love a pint of Guinness and an
atmosphere described by poet Louis MacNeice as, "the air soft
on the cheek/And porter running from the taps/With a head of yellow
cream," pubs have always been a bit too malodorous for me
because of the amount of cigarette and cigar smoke in the air.
This, however, is due to change, when tough anti-smoking rules go
into effect in Ireland this year. Till then you might want to visit
the state-of-the-art "World of Guinness" exhibition in a huge
19th
century warehouse once used to store hops. At the top, with a
great panorama of the city, is the Gravity Bar, beneath which is a cafe
with standard Irish fare. Good spot to buy all those "Guinness Is Good for You"
T-shirts for the kids back home. For a touch of the
archaic, you might want to drop into an older pub like the
historic Doheny & Nesbitt; the
no-frills Mulligan's, here
since
1820; or Davy Byrnes, around
since 1789 and a traditional place to have lunch on June
14--Bloomsday. (You'll get good info on old and new pubs in the The Official Dublin Pub Guide 2003.)
And so you stroll the streets of Dublin,
down along Grafton Street, closed off to traffic, and you turn a corner
and there's Trinity College, and you can still buy Donegal tweeds at
Kevin & Howlin, and pick up the new CD by The Chieftains, and visit
not one but three museums devoted to James Joyce, and someone's singing
always "The Irish Rover" in a pub, and, more than any place else,
you'll start
to feel taken in by a great city's magnanimous, good heart.
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NEW
YORK CORNER
by John
Mariani
WD-50. . . Revisited
50 Clinton Street
212-477-2900
www.wd-50.com
When I last wrote about WD-50 upon its opening a year ago, I
reported on what I thought was an over-the-top reach of highly
experimental cooking that left some people dazzled and others, like me,
dismayed. Chef-owner Wylie Dufresne (far left, with his staff) had won
my affections when he opened the tiny 71 Clinton Fresh Food on the
Lower East Side and actually spurred development of an area that
previously looked a lot like the back of a radiator. I loved the
purity of Dufresne's cooking and his effusive flair, possibly
restricted by the minuscule size of his kitchen. So, with a move up one
block north to larger premises, with a huge kitchen that must have
sucked up a good portion of the millions spent on the place, Dufresne's
culinary
imagination and ego leapt to a stratospheric level, with dishes that
were always interesting but sometimes bizarre. After a couple of
meals at WD-50, I began to think there might be a gas leak in the
kitchen affecting his equilibrium.
I was, then, somewhat reluctant to
return, but I'm glad I have--not because Dufresne has backed away from
his exotic style of cooking but because it now seems more carefully
focused, while still being very much out of the ordinary. I was,
in fact, very surprised that many of the same dishes that were on the
menu a year ago are still there, assuming that a restless chef like
Dufresne would constantly be changing it. Thus, I opted for his
7-course tasting menu ($95; with wines, $130; otherwise appetizers run $12-$16, main courses $24-$30), and got to taste a
whole slew of new dishes.
The dining room (right) still
looks to me like a coffee shop David
Lynch might use for a move called "Dark Formica"--shadowy, stark,
brown, with hard industrial
surfaces--but the reception, usually by Wylie's affable dad, Dewey, is
very warm indeed. We began subtly enough,
with Spanish mackerel warmed under a salamander, with firm tofu blended
with pickled radish and sorrel, with a drizzle of maple syrup and olive
oil. It was delicious, giving notice that many sweet notes were
to follow. Next came eel ("smoked at the Delaware Water Gap")
served warm and topped with chopped toasted sunflower seeds,
dehydrated
red onion, and very very sheer lime chips dusted
with
powdered sugar then baked. The limes' piquancy was delightful with the
smokiness of the eel, something you might find at a modern Japanese
restaurant like Nobu. Cucumber noodles were blanched then tossed
in
crème
fraîche and ginger juice and dusted with a citrusy sansho
pepper. (Note well: Dusting is a new trend.)
Venison tartare with edamame ice cream and a crunchy
pear was. . . interesting, perhaps better later in the meal as a
way to combine the meat course with dessert. Involved here was
seared venison loin mixed with
lemon grass, lime leaf, mint, cilantro stems (I always wondered what to
do with my cilantro stems), Tabasco and topped with toasted basmati
rice powder. The ice cream was made from black soy beans and
milk, with no sugar to sweeten it, but the pears added the sweetness, dusted with star anise and sugar,
baked until
crunchy.
Hamachi came poached by the Sous-Vide process in
soy, with a purée of
parsnip and green olives. A roasted Anjou pear was topped with mushroom streusel of
dried
mushrooms,
almond flour, and butter. As you can see, the sweet notes
continued, and sweetness can cloy the palate and beat up on
wines. A poached egg arrived--cooked at exactly
145º F for 60 minutes!--ladled into a warm Parmesan broth made
with the cheese's rind and Parmesan oil.
All portions were small, so consuming all this was
not a problem; nor were the overall flavors. Onward!: Duck breast
(this poached at 150º for exactly 30 minutes) was seared and
served with a sunchoke purée blended with almond oil, and a
pomelo salad of "fresh
pomelo
cells," chives, dehydrated capers, toasted almonds, and yuzu juice with
honey and salt, topped with crunchy, dehydrated pomelo cells. Oh, I
forgot the Roquefort foam. It was a terrific dish, though I can't
say I tasted every one of those ingredients. At this juncture I couldn't help
thinking: 1) How does one decide on making broth and oil from a cheese?
2) How labor intensive is this kitchen and who gets the job of
dehydrating the pomelo cells? and 3) Is all this necessary?
After so much
complexity I found quince tonic with baked manchego cheese just the
thing--very satisfying, almost substantial. Then came something called
"Coffee Soil," made from coffee, butter, and flour, accompanied by a
butternut squash sorbet--not a
great idea. Then pastry chef Sam mason strutted his stuff,
which, oddly enough, is not nearly as complex as what precedes
it: Lovely rum-roasted banana, with milk chocolate ice cream,
curry, a tasty brown butter cake, and a dried banana slice.
Then some real childlike cotton candy infused with ginger juice, and
last, chocolate truffles made with foie gras butter, which, he
promises, "doesn't
influence taste as much as texture," which was true on the first count,
though one wonders if this might be a waste of good foie gras.
So by now you are either shaking your
head in amazement or utter confusion as to why Dufresne and Mason go to
such lengths to prepare dishes that are eaten in a bite or two, then
evanesce. It's easy enough to say, well, that's simply their
style, but it begs the question whether every component is of
sufficient weight and flavor to justify the immense intellectualizing
and preparation of such dishes. Nevertheless, despite this kind
of food being way too fussy and experimental to my taste (I rather side
with Paul Bocuse when he said, "The so-called nouvelle cuisine usually means not
enough on your plate and too much on your bill."), I have to admit that
Dufresne is dead serious and has a very high batting average in a
league of his own making. My original admiration for him has come
back, if not with a full embrace, at least with a firm handshake that
he has the courage of his convictions and is very proud of his
work--which cannot be said of many of his colleagues whose idea of
novelty is silly-looking, pretentious plate
decoration. Novelty for its own sake is never a very good
idea, but Dufresne shows--though he may not prove--that a meal can be
an adventure and taste pretty damn good along the way.
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FOOD
WRITING 101
Lesson 47:
Never use more than three pop culture
references per paragraph.
"If Jerry Garcia and
Elvis walked out of a shop carrying a bag of
kachina dolls and a couple of Navajo sand paintings, no one in Manitou
Springs
would bat an eye. It's just that kind of place. One of the last
holdouts
against chain retail and Starbucks, the sleepy, slightly loopy Manitou
has
managed to retain its small-town, cheesy-kitsch charm in a state that
prizes
its multimillion-dollar mountain resorts and offers itself up to
Wal-Mart like
it's Madonna and we're Britney Spears. Famous people stayed in what
Nichols
turned into a 200-room hotel: Theodore Roosevelt and Thomas Edison,
Clark
Gable, P.T. Barnum, J. Paul Getty. Fat
chance finding a Brylcreemed hair from Gable's head, though, since over
the
past 80 years the Cliff House has undergone more remodeling than
Michael
Jackson's face." –Kyle Wagner, “From Food to Service, Cliff House Casts
a
Spell,” Denver
Post (Dec. 26, 2003).
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STEP
ONE: HAVE YOUR HEAD EXAMINED
Blissful Detox: Over 100 Simply Delicious
Cleansing Recipes
by
Louisa Walters, Aliza
Baron Cohen and Adrian Mercuri.
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QUICK
BYTES
*
On March 20 Greenwich,
CT’s
Restaurant Jean-Louis celebrates its 19th
Anniversary with
a
dinner at $100 pp, wine and
champagne included. Phone 203-622-8450.
*From
March 22-26 the Smith & Wollensky
Restaurant Group holds its 34th National Wine Week, with
10 wines for $10 at lunch. For
participating restaurants visit www.nationalwineweek.com
*
The second annual Hamptons Restaurant
Week will be held March 28-April 4, during which all participating
restaurants
offer a 3-course prix fixe for $19.95. Some restaurants will offer a
special discounted
bottle of Long Island wine. The public is invited to the Hamptons
Restaurant
Week kickoff cocktail party on March 28 from 3-5 p.m. at Della Femina in East Hampton. $25 pp, with
proceeds
to Suffolk Community College’s
Culinary Arts Program. For info go to
www.hamptonsrestaurantweek.com
.
* On March 31 at Boston’s Les
Zygomates will celebrate Groth Winery’s Groth’s 20th
Anniversary as sommelier Geoffrey Fallon leads guests though a 5-course
wine
dinner. $85 pp. Call 617-542-5108.
* From Apr. 2-4 Anthony Dias Blue,
Wine & Spirits Editor of Bon Appétit, and celebrity
chefs and wineries will participate in a
three-day Desert
Festival of Wine, Food and the Arts. $850 pp.,
includes luncheons, Grand
Tastings, choice of 5 wine seminars and/or cooking demos, Champagne
brunch,
admission to the Arts Festival; Platinum Package, $1000
pp. Call 800-999-1585.
* On April 3 eight
of chefs will assemble at La Quinta Resort & Club
for a wine dinner at AZUR by Le
Bernardin, to benefit the Jean-Louis Palladin Foundation:
Wolfgang Puck and Lee Hefter of
Spago, Beverly Hills; Charlie Trotter of Charlie Trotter’s,
Chicago; Laurent
Gras of Fifth Floor, San Francisco; Jimmy Schmidt of
Rattlesnake
Club, Detroit; Florian Bellanger of Fauchon Paris, NYC; Eric
Ripert of Le Bernardin, NYC; and AZUR’s Jasper Schneider; $250
pp;
Call 760-777-4927.
* From April 14-18 Ladera
Resort on St. Lucia offers a 5-day/4-night
“Island Cuisine
Experience” package, with cooking demos by chef Orlando
Satchell of Dasheene restaurant,
culinary & wine tutorials and excursions to the island’s markets
and
purveyors. Rates from $1180-$2600.
Call 800-738-4752 or visit www.ladera.com.
* The San
Domenico Palace Hotel in
Taormina,
Sicily, is offering a two-night “Romantic Escape” package with a
candlelight dinner
served on the private terrace or in one’s suite
with an hour of violin music; buffet
breakfast daily; bottle
of champagne, oysters and strawberries upon arrival; choice of two Champagne Breakfasts, inclusive
of a half-bottle of champagne, Beluga caviar served in suite, or
two candelight aperitifs with
champagne and caviar. The rate starts at
$965 per room for a junior suite and
$1,265 per room. Call 011-39-0942-61-3111 or
email reservations-san-domenico@thi.it.
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MARIANI'S VIRTUAL
GOURMET NEWSLETTER is
published weekly. Editor/Publisher: John
Mariani.
Contributing Writers: Robert Mariani. Naomi
Kooker, Kirsten Skogerson, Edward Brivio,
Robert Mariani, Mort Hochstein. Contributing Photographers: Galina
Stepanoff-Dargery,
Bobby Pirillo. Technical Advisor: Gerry
McLoughlin.
John Mariani is a
columnist for Esquire, Wine
Spectator, Diversion and the Harper Collection. He is author
of The
Encyclopedia of American Food & Drink (Lebhar-Friedman), The
Dictionary of Italian Food and Drink (Broadway), and, with his wife
Galina,
the award-winning new Italian-American Cookbook (Harvard Common
Press). To purchase from amazon.com, click on the
image below.

copyright John
Mariani 2004
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