Life Story and Anecdotes at Lycée Sisowath
Primary School: 1948 - 1954
I was born in the year of Horse (toward the end of that year) in Kiensvay,
Kandal. I grew up in the village of Prek Eng. This “Prek-Eng” is the
same name as the song (‘Hopeless Prek-Eng’, romanized as “Prek-Eng
Chea Ti Arss-Sangkhim”) composed by Peou Sipho.
Life in the primary school was quite a normal childhood and
uneventful: fishing with mosquito-net, hunting with a sling-shot,
gold-fish fighting, stealing fresh tomatoes from the fields, etc. In the 3rd.
grade year (cours élémentaire) the ox cart crushed my right arm, but the
voodoo doctor somehow saved it.
Secondary School:
First year : 1954 - 55
I entered the Lycée Sisowath in September 1954, I was ranked 60th among
the 300 boys admitted at the competition exam for the entrance. My closest
classmates were Penn Thula and Yim Nolland (Classe de 6ème ‘B’).
(Yim Nolland skipped two grades: Classes de 3ème and 1ère,
while Penn Thula did not, at all.) The history professor was Miss Khieu
Ponnary, and the French-language professor was Mrs. Nhuong Peng (nee Keuk
Soutien). In that school year, the older and bigger guys (Chek Vanroeun,
Pen Chhom, Nop Rang, Sakou Siphonn, etc..) played a lot of pranks on these
two young ladies.
Second year : 1955 - 1956
I bonded with two wonderful and marvelous fellow students during the
summer school, 1955. We enrolled in a math class together. Ever since, I
loved to hang out with these two guys: Mr. UK Tinal, a graduate in
Forestry from the University of Georgia, presently in Northern California,
and Mr. CHHIM Pemy, an M.D. Neurosurgeon, now living in Baltimore. Those
two friends were ‘externes’ for they are city folks from “classe de
6ème ‘A’ ”.
I received a scholarship in September, 1955, to be a ‘boarder:
boursier interne’. From the “classe de 6ème ‘B’ ”,
only Suon Chheang (the future M.D., now living in France) and I got that
scholarship. I remembered that only 2 students from each “classe de 6ème”
received that scholarship for the “classe de 5ème.” There
were 8 classes de 6ème, each having about 40 students. The ‘internat’
is the best educational system that the French had invented for the
secondary school age group.
There were about 300 boarders or “internes”, or approximately 10
percent of the school student body, from the ‘classes terminales to 6ème’
housed in three buildings. I did get to know almost everyone from the
senior upper-classmen down to the under-classmen such as myself. When I,
in turn, became a senior myself, I again knew all the under-classmen
(i.e., in total, I knew people from the 1955 – classes terminales to
those who were 1960 – classe de sixième.)
Here are a few memorable experiences, I have had, year by year. For
example, Mr. BEN Kunthell (he resides in Paris nowadays and owns a
restaurant “Le Cambodge” near the ‘Place de la République’), who
was in the ‘Philosophy class’ in 1955-56 academic year, taught me how
to play the guitar. I still play it until today, acoustic Latin Dance
Rhythm and Jazz Rhythm. (I had a nice visit with Mr. Kunthell last
November 2002, reminiscing about old time at the Lycée, of course.) If I
may be indiscrete, Ben Kunthell, who was built like a prize fighter, was
well known then for a shouting-match fight with the dormitory counselor
“Maitre du dortoit - surveillant ”, Mr. So Nem. There was no blood, no
harm done. It awoke the whole school-internat.
Another senior friend from the “classe de Sciences Expérimentales
1954-55, Bac II 1955”, that is a year before Kunthell’ s class, is Mr.
HUM Sanith, who is presently living in the DC area. He was known as one of
the starting right-wing (ailier droit) soccer player on the Lycée
Sisowath team. I think that he later studied chemistry in Canada. I got to
know him in the US and back home, after my return, in the fall of 1966. We
had a special common friend, Mr. SOK Vanthy, the Casanova.
SOK Vanthy, nearly 6-feet tall, was also a Lycée Sisowath alumni,
He had a Bac II Séries Sciences Expérimentales, 1956, the same year as
Kunthell’ s. He is in the picture at a picnic during the summer 1960 at
Bucknell University in Lewisburg, Pennsylvania, where the two students
were Mr. CHHOR Kylin (Math Elem, 1957) and Mr. HING Sokhom (Sciences Exp,
1956). SOK Vanthy came to visit both of them at Bucknell after his summer
school at Pennsylvania State University. He was a student at the
University of Maine, at Orono. He was already a close friend of HUM Sanith,
who was in Canada at that time. That was how I got to know these two fine
human beings. (Unfortunately, after escaping from the war, the
adventuresome and handsome Casanova, Vanthy, with four wives and a dozen
children, passed away in Africa and was buried in Long Beach, California.)
In passing, please note that SOK Vanthy and HING Sokhom were
classmates in Sciences Expérimentales class, in 1956, while Mr. CHHOR
Kylin was in Math Elem in 1957 class. All three came together to the US,
in 1958, the famous class. I can still name them all. They were all Alumni
of Lycée Sisowath, except Mr. LY Se (now retired and living in Texas) who
was from the Lycée Descartes: (1)SOK Vanthy, Civil Engineering; (2) HING
Sokhom, Economics; (3) CHHOR Kylin, Political Science, (4) SREY Rithy,
Mechanical Engineering; (5) IN Nhell, Civil Engineering; (6) KANG
Boracheat; (7) UNG Meng Kruy, Mining Engineering; (8) EAP Bun Phor,
Finances; (9) LY Se, Mechanical Engineering; and (10) MAM Sophana,
Architecture. They were all IIE scholars.
During the school year 1955-56, I had help in my study from another
senior friend: Mr. Toth Kim Teng. He was the last one to pass the ‘French
Brevet Elémentaire’ when he was in classe de 4ème in
Siemreap (?), in June 1955. (The Brevet Elementaire was abolished
thereafter). He skipped classe de Troisième and joined the classe de
Seconde at the Lycée Sisowath. Moreover, he received that fall a
scholarship of ‘Internat’. Since he arrived late from Siemreap, there
was no bed for him in the Senior dorm, which would be the Northern-most
building of the three dormitory buildings. He, then, has to stay in my
dorm, among the under-classmen, which is the building with the basket-ball
court and the sport-shower room on the ground floor “Préau”. Lucky
for me, his bed was next to mine. Painstakingly, he explained and taught
me the meaning and usage of the French ‘NE’ expletif (A moins qu’il
“NE ” soit trop tard). And I know it until today, and never forget the
lesson. I think he is living somewhere in Paris, nowadays. He, too, taught
me to play the guitar. He passed the Bac I again, thereby skipping two
grades in the secondary education system. He and Chhor Kylin were together
in “classe de Math Elém”, with others such as IN Sophann, Ecole
Centrale, OUK Leas, TAN Leak Meng, etc.
Both of them, Mr. Toth Kim Teng and Mr. Ben Kunthell, solidified my
understanding of the European music or western-culture music, though they
didn’t know of their influence. It is a nice extension for me, since, by
then, I was already into Jazz listening on the radio “Voice of America”.
I discovered or rather stumbled on VOA by sheer luck, while cruising the
short-wave radio. That happened in September 1954, because before that
time, I did not even know what was a radio.
Undoubtedly, I was piqued to learn English so that I could
understand the singing that was part of the American big bands. Since I
came to the Lycée Sisowath, I devoted myself, days and nights, to learn
English. I signed up for all the free evening English classes taught by
the staff of the US Embassy. I had nurtured a dream: “Go to America for
the music.”
In the ensuing years, the U.S. Embassy brought through the State
Department cultural tour (I later learned of that program) the following
bands: Benny Goodman and Jack Teagarden. I liked the “Jack Teagarden
band”, because it had a young tenor-sax soloist with a nice sound. I
learned later that he was none other than the late Mr. Stan Getz, by
reading his biography. It is the same Stan Getz who brought with the great
guitarist Charlie Byrd the Brazilian Bossa Nova rhythm to the US in the
early nineteen sixties, following the release of the film “Orfeo Negro”,
the score of which was composed by the world-renowned great Brazilian
guitarist Luiz Bonfá. That was the very first time that I saw a real
living solo in music.
Further, whenever there were cultural programs in town from the US,
I was always selected by the Lycée Sisowath as its representative to
attend them, on the strength of my English knowledge, For instance, there
was the recital given by the great gospel mezzo-soprano singer, Miss
Mahalia Jackson. I could not make out heads or tails of what she was
singing. She was accompanied by a pianist on a Grand Piano, and there was
no big bands with horns and brass, etc. I was lost but I enjoyed it
tremendously.
Furthermore, one factor that strongly influenced my desire and
decision to come to the USA is music, evidently. The second and perhaps
the strongest of the two factors was the fact that, every year, throughout
the secondary education, my end-of-the-year academic prizes always had a
stamp that said “With the compliments of the Ambassador of the United
States of America.” The prizes were all big hardbound beautiful books
about the USA, such as the Far West, life on the Mississippi, Pioneers of
the Western Frontiers, the Cow-boys and Gunslingers, etc. Those books and
the Cowboy movies made me an expert on the Western cultural stories (in
those days, I even tried to dress like one and act like one tough cowboy.)
To jump ahead of myself, I wrote an essay about the Cowboys when I
competed for the “Institute of International Education (IIE) ”
fellowship to study in the USA. I was the first one selected from a field
of twenty finalists. Thus, Denver, Colorado was to be my living quarter
for four years, from September 1960 to June 1964. I loved the climate in
Colorado so much that I transferred to Boulder to spend two more years at
the University of Colorado for my M.S. degree. Although I had begun and
completed one semester of work toward the PhD program in Mechanical
Engineering, I went back to Cambodia and never returned to continue my
studies.
My musical life really began during the “Water Festival” of that
school year. One night, it was kind of late, and since the dorm was
deserted, a friend, UM Pok, and I, we decided to ride our old bicycles to
check out what was happening in front of the Royal Palace. Then we rode to
the Flower Garden which extends from the Railroad Station to the River.
Just to the side of the Garden and on the river bank there was a night-cub
called the “REX.” We put the bikes together and stood on them like a
scaffold, and strained our necks to see what went on inside that place. I
saw big, fat, ugly, ill-dressed, without tie, old men holding these
beautifully shaped women and strutted themselves around the dance floor to
the sound of a live band. I swore to myself that I want to hold beautiful
women in my arms and without having to marry them. Thus, I devoted my life
to become first a good dancer, second, a musician, and third, a big
talker, for I observed that women love by hearing and men by sight. I read
somewhere that “women talk is like a straw after the harvest, i.e., not
much value. But, in the packing of chinaware and crystal, without the
straw, everything is broken. “ Voila! I devoted my life to learn to talk
small talks with women. Ever since that night,…
Third year : 1956 – 1957
‘Classe de 4ème’ year was not so pleasant. I had an older
brother at the Ecole Normale. There was a fight that broke out after a
soccer match between Lycée Sisowath and Ecole Normale. An elder and more
senior ‘interne’ student, Mr. Sim Song Leng, who was in ‘classe de
Sciences Expérimentales’ sought me out and wanted to beat me up at the
siesta about 1:00PM. He pulled me out of my bed and threatened me with
bodily injuries. I was wrongly accused of being a spy who had informed my
brother of the forthcoming planned raid by the guys of Lycée Sisowath. I
was a shaken-up, skinny kid of thirteen who would never forget that
experience until today. Worse yet, some of my own classmates joined in the
threat, What a deal!
About that incidence, I always remembered the psychological help that my
two best friends, Tinal and Pemy, brought to me. They relentlessly helped
me to forget the most unpleasant episode of my entire school life at
Lycée Sisowath. I had a bad taste for organized sports ever since.
I do not forget those who were unkind to me, and I elect to remember
those who were good to me. This is the first time, ever, that I revealed
this feeling in public. Later on, without ill-will, I am supposed to marry
Mr. SIM Song Leng’s niece in 1964 at the end of my undergraduate study
in Denver. Somehow, the whole thing never did materialize. I understood
that she married a lawyer, later on.
Fourth year : 1957 – 1958
This school year was again a very nice year. I was infatuated by a lovely
girl for whom I was falling heads over heels. Unfortunately, nothing came
out of it for she was not even aware that I was alive. Anyway, it was nice
to have known the feeling, while it lasted. We have the same French
mathematics teacher. He spoke highly of her to me and vice versa. That was
how the thing got its start.
All the ‘internes’ students in ‘classe de 3ème’
passed the exams, both French Brevet and Diplôme d’Etudes Secondaires
du Premier Cycle (whatever that means). I was ranked No, 2 in the nation.
The most wonderful experience was to witness Mr. CHHIM Pemy enter the
monkhood at the end of the school year, for a three-month period. Later
on, in the fall of that year, he enrolled in the medical school to become
a doctor of medicine. Tinal and I, we continued on our schooling. While
most of the guys I knew had mopeds or motorcycles, my father gave me a
present: “an especially assembled racing blue bicycle.” My father did
ask me what are the parts which I liked to have on that bike. The bicycle
was very special to me because my father assembled it, himself. (Some one
snatched away from him that bike during the war years, in the late 1970’s.)
Around October 1957, the most fun-filled experience of my life was that
Mr. Peou Sipho allowed me to join his band called “Dantrey Sangkum III”
as the rhythm guitar player. He had a falling out with Mr. Phuong Bopha.
Their first band was called “Dantrey Sangkum I”. There was no “Dantrey
Sangkum II”, and why “Dantrey Sangkum III” is anyone’s guess. The
guitarist for “Dantrey Sangkum I” was Mr. Ty Nguon Leng. Thus, I
became Mr. Ty Nguon Lay, my ‘nom de plume’ as the guitarist for “Dantrey
Sangkum III”, for it did give a catchy sound. Ah! The folly of youth, a
case of fame seeker. The witness is our own member of LSA, Mr. Ngoy Nguon
Long, now residing somewhere in the state of Maryland, who was the-then
first alto sax of the band. The band played live on the national radio.
The singers were Sisowath Kolachhat and So Photra. It was fun. It was over
for me when I got on the plane to go to the USA.
Fifth year : 1958 – 1959
Somehow, Chau Seng, the then-minister of education did not renew or extend
the scholarship for the ‘classe de seconde’ of all the
boarder-students in ‘classe de 3ème’ who passed the
Diplôme exam. It was supposed to be a given. After the student protest,
an exam was organized to have a few student re-admitted or re-instated to
the scholarship. After a month-long waiting period, only one name was
posted, and it was mine.
In that year, I decided to jump the ‘classe de Première’ and
passed the ‘Bac I’ exam, on my own. I left Tinal behind, who was in
that photo of Math Elém ‘B’ in 1961 with Jack Kitsirik KRENG, Sar
Siphat, Uy Phatna, Yim Yoeun, etc. Yim Yoeun, later on a graduate of Ecole
Polytechnique de Montréal” was with me since ‘classe de 6ème’.
I had lunch with Uy Phatna and Ly Kim Ty, last November 2002, in Paris.
Sixth and last year : 1959 – 1960
I joined Math Elém ‘A’ group of elite students. That year was the
very first year where there were 2 classrooms of Math Elém and also 2 of
Sciences Expérimentales. Before that, there was only one of each class.
We also had the cushy seats from the National Assembly. The classroom had
six columns by four rows of two-seater tables. That is, it would hold 48
students before it became a fire hazard.
I still remember vividly the first two columns of fellow-classmates.
The first column had:
A1) [first column ‘A’ and row ‘ 1’] Iv Huot/Ho Thay; A2) Chou
Chuttivann/Songthara Omkar; A3) Hong Vareth/Kang Naruth; A4) Sou Nem/Man
Teng Sau;
The second column had:
B1) Nou Phonn Tonn (majeur)/Ly Chin Torng; B2) Lay Nguon/Chen Chun; B3)
Khy Taing Ly/Huol Hong; B4) Lim Kheng Lam/Hem Yim Eng;
The third column had:
C1) ../..; C2) Leo South Sopheantha/Men Mol; C3) …/…; C4) …/..;
The fourth column had:
D1) …/…; D2) Ly Kim Ty/Men NikTho; D3) …/…; D4) …/…;
The fifth column had:
E1) …/...; E2) Kang Keng/Koh Yea?; E3) …/..; E4) …/…;
The sixth column had:
F1) two Vietnamese guys from Ecole Miche; one of them had polio; F2)
another two Vietnamese guys from Ecole Miche [there were 4 of them]. I am
trying to recall the names to fill in the blank spots.
It was the first year that we had a student body elected. I was elected
as the senator from Math Elém class and appointed to be the in-charge of
recreation. The most memorable souvenir I had, was that the Asia
Foundation had given our school a complete set of musical instruments for
a big band, namely:
Brass: 4 trumpets; 3
Trombones;
Reed: 2 Alto Sax; 2 Tenor Sax; 1
Baritone Sax; 2 Clarinets;
Rhythm: Piano, Electric Guitar, Acoustic Bass, Drum set
(Premier Brand Name with Slingerland Cymbals); Vibraphone (Premier Brand
name, the model used by Cal Tjader, when I saw him in Clubs in California
- I later remembered).
I became the drummer by default for I can make all kinds of rhythmic
sounds which I learned and imitated from hours and hours of listening to
Western-world music, in particular Jazz, Cuban, and Argentinean music. My
conviction is that music is almost always the best line to start a
conversation, and on the dance floor to get phone numbers.
Lastly, during the Chinese New Year festivity, i.e., Feb 1960, I subtly
instigated a prank by having everyone ditch school and go instead to eat
lunch at Lim Boun Leng’s house which was across the street from the
Chinese school “Tong-Hoa”. When the Professor of “Sciences
Naturelles”. Mr. LLOZ, came and found an empty classroom, he was very
furious. Nou Phonn Tonn, the “majeur de la classe” took all the
blaming. We were all punished and had to come to class and study on a
Saturday afternoon, that special chapter from the book “ OBRE ”. Guess
what? At the exam, one of the three questions in “Sciences Naturelles”
was that very chapter – from that fateful Saturday of punishment, which
I wrote blindfolded.
When we flew to the US our PanAm flight from Honolulu to San Francisco
was late. So, we were put on the next available flight, from San Francisco
to New York. It was the American Airlines, first class, because it was a
full flight. It was a Boeing 707 and I sat in a big seat by myself. The
stewardess came and asked:
Stewardess; “Would you like a cocktail?” with a smile showing her
beautiful set of teeth;
Me:
“Yes,” with the widest grin I could muster;
Stewardess: “ Scotch?”
Me:
“Yes,” with the widest grin;
Stewardess: “ On the rocks?”
Me:
“Yes,” still with the widest grin;
Stewardess: “ Would Chivas Regal do?”
Me:
“Yes.” And I register “rigal in French”;
After I look around and winked at Huol Hong, I gulped down the hatch
the small drink, and passed out by falling asleep fast. The next thing I
knew we were landing in New York City. Ever since, my favorite drink is
Chivas Regal Scotch on the rocks!!!
Once in a while, at the ’internat” there would be children of
famous people coming to join us. One of them was Sirik Matak 's son, Nouch,
the youngest. I was in Math Elém and he was in 5eme. Yes, he was a
trouble maker, and unruly kid; so his father thinks that he can be
disciplined by " l'internat." Yes, the ‘internat’ was good
for Nouch, for he learned to follow the rules and regulations. The
discipline is similar to that of a military academy. I understood his
personality and liked Nouch a lot because he was essentially a nice and
capricious fellow. Moreover, he played 'the baritone saxophone', my
favorite instrument among the so-called1 'reed instruments'. Nouch was a
very well trained musician. On occasions, he invited me to his big house
on Sundays. That was how I got introduced to his father, Prince Sirik
Matak.
For the benefit of those readers who are not familiar with reed
instruments in Jazz bands, the Baritone-Sax guy sits at the very far end
among the five sax players in the front row of the band. For a full band,
the first guy is the #1 tenor, then #1 Alto, next #2 Alto, and the 4th man
is #2 Tenor, and last is the Baritone fellow. It is just a customary way
of seating arrangement. In passing, if anyone likes to hear an excellent
sound of baritone sax, one should listen to the music of Gerry Mulligan.
Nouch played in the Lycée Sisowath band in which I was the drummer.
Mr. Nou Nhong, the trumpet player was the band leader. Mr. Hin Medith, the
brother of Miss Hin Nouba (Miss Phnom-Penh? or was it Thou Srey Peou - the
wife of Mr. Kong Sileas), was the lead trombone player and he had a voice
which was very similar to that of Louis Armstrong. Hin Medith was very
tall, almost six feet, and an excellent musician, in addition to being a
first-class trombonist.
Sisowath Kolachhat was the featured singer of the Lycée Sisowath Band
and also of the “Dantrey Sangkum III”, in which I was the rhythm
guitarist. Both of them, Nouch and Kolachhat took to liking me, because I
was in the "classe terminale - Math Elém", and also because of
my sound knowledge about music and dancing at that time. I liked
Kolachhat's sister, but, she, being a princess, sort of scared the heck
out of me. Besides, she was a very big boned gal, like Kolachhat, but very
attractive.
Then, there were evenings of sweet teeth for “Bang-Em”. There was,
in the evening after sunset, a young lady who erected her stall to sell
"Bang-Em" behind the Ecole Normale, at the corner of Sihanouk
avenue and Pasteur street. She was young, in her twenties, but a little
bit heavy on the plump side!! She put on a lot of make-up, like a China
doll!! Oh! How the big boys were flattering her and of course teased her
in the disguised manner of courtship, a la Khmer style!! She enjoyed the
flirting scenes with all the boys, as long as the business was good. She
missed that and nearly cried when we did a boycott on her business for a
more than a week, just to give her a tough time.
Finally, for us poor kids from far away places, there were the barbers
behind the Lycée under the mango trees, on the west side of the campus.
The famous characterization of the hair cut was that the customer must
hold the mirror throughout the whole process to look at the hair cut. It
cost only 2 Riels in 1955, compared to 5 in the real shops. But for us
kids that was a sizable sum in 1950's. Because we were embarrassed or
self-conscious, one would go there only during the siesta-nap time.