WONDER BOYS (2000) ***1/4
Reviewed 3/3/00
After a career of mostly B-movies such as The Bedroom Window and The Hand That
Rocks the Cradle, Curtis Hanson shone as a director in the deservedly acclaimed L.A.
Confidential. He shines equally in his follow-up, Wonder Boys. Based on the
novel by Michael Chabon, with a screenplay by Steven Kloves, Wonder Boys has all
the eccentricity of a John Irving novel and the occasional charm of Donald Barthelme. The
film does sport a literary feel -- not the bad kind, that of stuffy, unimaginative
translation -- but the good kind, that of detail and vivid color, much more commonly
associated with books than movies. That said, make no mistake, Wonder Boys is light
stuff.
Grady Tripp (Michael Douglas) is a professor at the University of Pittsburgh who was once
acclaimed for his book, Arsonist's Daughter (in the real world, it's a title only
its author could love). But that was six years ago, and he has not been able to finish his
subsequent work, which has been amassing pages ever since. As the annual literary Wordfest
event begins at the university, Grady suddenly finds himself abandoned by his wife,
visited by his book-hungry editor, Terry Crabtree (Robert Downey, Jr.), and confronted by
his mistress, the school chancellor Sara Gaskell, (Frances McDormand), with the news that
she is pregnant with his child. To add to his problems, Grady's best student, James Leer
(Tobey Maguire) shoots Sara's husband's dog (and boy, does the movie milk the dead dog
joke for all it's worth), and Grady winds up babysitting the addled kid as well.
As good as Curtis' direction is, the film just would not have amounted to all that much
without its great cast. Douglas is better here than he has ever been, because for once, he
is playing a believable human being, not a caricature of greed or wealth. McDormand
matches him. Though her role is underwritten, she still resonates as a crucial part of the
plot, even when this "part" makes little sense. Downey played his role just
prior to his arrest and the ensuing problems. What has happened to him is unfortunate
because Downey really displays his subtlety here. If he did all his talking with his body
language, his distinctness of character would be the same. Tobey Maguire, an actor who is
very limited in range, has finally found a role that takes advantage of his slow, staid
deliveries and deadpan disposition. The film also stars Katie Holmes as Hannah Green, a
student living in Grady's house. She is more than adequate and never resorts to the
cloying that makes many of her other roles unbearable. Richard Thomas plays Sara's
husband, Walter, the head of the English Department. The actor, most famous for playing
John-Boy on The Waltons, gets to do the least in a nondescript role. He doesn't
even get a reaction shot in the whole film.
Wonder Boys' greatest weakness is that the problematic relationship between Grady
and Sara is never clarified, and when it is resolved, it is done offscreen. The end is a
bit too trite and pat. Wonder Boys also finally ladles on the sentimentality -- at
least not the overly cheap manipulative stuff, but the kind that feels somewhat earned.
But these days you take what you can get, and sometimes flawed films with some very strong
points are more interesting than even films without real failings. Wonder Boys
achieves a wonderful, wacky atmosphere through Hanson's creative directing, Dante
Spinotti's crisp cinematography, and Dede Allen's on-pace editing. It also has a strong
soundtrack without the songs being an excuse to indulge in lazy montage sequences. Most of
all though, Wonder Boys' well-drawn characters outweigh the films other flaws and
makes you want to visit them again.
Copyright © 2000 George Wu